The lecture unveils a specific segment of design production by Aristotheke Eutectonics emphasizing smallness and exploring domesticity. The ‘framework’ is dual: belongs either to a realm of pragmatism or to pure phantasm, oftentimes merging the two. The term “disintelligible” is introduced as to signify a key notion of the contemporary at a nodal stage characterized by populism in the perception of architectural production en masse via the media. The “groundless” operates within a broad spectrum of design and theoretical agendas evading the gravitational and verticality, or circumventing rationalization at large.